Sony VENICE 2 Digital Motion Picture Camera (8K) : MY WAY VIDEO

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Sony VENICE 2 Digital…

  • X-OCN Internal Recording
  • 4K ProRes 4444/422HQ Internal Recording
  • Interchangeable CMOS 8.6K Sensor Block
  • 16 Stops of Dynamic Range
  • 800/3200 Base ISO Range
  • Removable PL Mount, Cooke /i Protocol
  • Sony E-Mount with Electronic Contacts
  • 8 x Integrated ND Filters Plus Clear
  • Integrated Assistant-Side Info Screen

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SKU MPC-3628 Categories , ,
8K Interchangeable Sensor Digital Cinema Camera
Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Beautiful Imagery in Any Light
Take advantage of the wide dynamic range of the camera to shoot in the extremes of exposure from candlelight to bright sunshine. The camera, with its dual native ISO ranges, allows you to push the boundaries of your creative lighting choices.
Firmware Update v2.1
  • Enables you to crop 16:9 from the entire 3:2 area, eliminating the narrower angle that came from the zoom-to-fit function, cutting off the side of the 17:9 viewing angle.
  • This update also adds a zoom-to-fit 2.39:1 function for 3:2 imager modes.
Dual ISO
The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor.
Sensor

The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates than you can with the 8.6K sensor.

Please note that though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.

Lens Mount
  • The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera’s lens information is recorded as metadata frame by frame.
  • Removing the PL Mount exposes the camera’s E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don’t need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.
Internal ND Filters
The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops).
Servo Control

The servo control also greatly increases VENICE’s flexibility when being controlled remotely on drones, cranes, or in underwater housing.

Although the optional Rialto 2 allows you to separate the sensor block from the camera body by up to 39′ for placing the sensor and your lens in places too small for the camera body, the camera’s smaller size, compared to the original VENICE, makes it easier to rig in drones, where the Rialto 2 would not be appropriate to use.

Internal Recording
Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.
Super35 17:9 and 16:9
These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in 17:9 or 16:9 in Super 35mm mode, which allows you to use Super 35mm PL mount lenses.
Color Gamut
The VENICE 2 can exceed the BT.2020 color space, with a color range wider than DCI-P3. This means it can beautifully reproduce the true color of the scene in front of your lens. The camera also provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and ultra-wide color space, S-Gamut3. Plus, VENICE 2’s 6K and 8K sensors match colors almost perfectly, making your grading experience even better.
No Jello Effect
The high-speed readout of the VENICE 2 sensor minimizes the Jello effect typical with CMOS sensors.
New VENICE 2 Functions
  • Zoom to Fit Monitoring crops the viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full frame of the sensor for VFX and potential post-production reframing
  • Apply LUTs to your 4K or HD (6G/1.5G-SDI) output
  • LUT/ART/CDL file import via Ethernet/Wi-Fi
  • ASC-CDL values control via Ethernet/Wi-Fi allows you to have LUT and CDL values applied by the camera using either an Ethernet cable or Wi-Fi via a connected computer using a GUI; CDL values are now embedded in clip metadata
  • VENICE 2 supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable, and adjustment of various paint parameters is supported
Functions from VENICE
  • The camera features a built-in assistant-side info screen, along with a smaller basic info display screen on the operator side of the camera
  • Imager modes: 5.8K 17:9 and 5.4K 16:9 (no license required) / 5.8K 6:5 (needs Anamorphic License) / 7.6K 16:9, 8.2K 17:9, and 8.6K 3:2 (need Full-Frame License)
  • Support for the X-OCN XT recording format
  • De-squeeze ratios: 1.25x, 1.3x, 1.5x, and 1.8x
  • Cache rec function
  • AXS Relay rec function
  • Simultaneous format
  • Support for 6G/12G output SDI
  • Improved imaging assist function
  • Support for CBK-WA02 Wireless LAN Adapter
  • Improved VF menu operations and Frame Line setting
  • Support for CDL files
  • 5.7K at 16:9 up to 72 fps
  • 4K at 6:5 up to 72 fps
  • 3.8K at 16:9 up to 110 fps
  • 3D LUT viewable in the viewfinder
  • ART (Advanced Rendering Transform) file imports
  • Updated switching for SDI 1-4 3G-SDI level A/B
  • Addition of second user frame line of 9:16 and 1:1 preset
  • Record beep and alarm volume adjust
  • Ability to maintain CamID+Reel# when loading ALL file
  • Displaying of Genlock and TC lock status on OSD
  • Setting of de-squeeze on/off via the USER button
  • Updated RCP Call function
  • Record gyro information in metadata
  • Support for ZEISS eXtended Data from FUJINON Premista-series lenses

Sony VENICE 2 8K Digital Motion Picture Camera Specs

Key Specs

Lens MountSony E
ARRI PL with Included Adapter
Sensor ResolutionActual: 49.76 Megapixel (8640 x 5760)
Effective: 49.76 Megapixel
Image Sensor36.2 x 24.1 mm (Full-Frame) CMOS
Image StabilizationNone
ISO Sensitivity800
3200
Internal Recording ModesProRes 422 HQ/ProRes 4444
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
X-OCN LT/X-OCN ST/X-OCN XT
8640 x 5760 from 1 to 29.97 fps
8192 x 4320 from 1 to 59.94 fps
7680 x 4320 from 1 to 59.94 fps
5792 x 4854 from 1 to 47.95 fps
5792 x 3056 from 1 to 59.94/66/72/75/88/90 fps
5452 x 3056 from 1 to 59.94/66/72/75/88/90 fps
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External Recording ModesNone
Media/Memory Card SlotDual Slot: AXS
Single Slot: SD/SDHC
Video I/O4 x BNC (12G-SDI) Output
1 x BNC (HD-SDI) Output
1 x HDMI (Unspecified Signal) Output
Mobile App Compatible
No
*As of August, 2023: Check with manufacturer for the most up-to-date compatibility

Imaging

Lens MountSony E
ARRI PL with Included Adapter
Lens CommunicationYes, Cooke /i, Zeiss eXtended Data
Sensor ResolutionActual: 49.76 Megapixel (8640 x 5760)
Effective: 49.76 Megapixel
Image Sensor36.2 x 24.1 mm (Full-Frame) CMOS
Image StabilizationNone
Built-In ND Filter
Mechanical Filter Wheel with Clear, 1-Stop (1/2), 2-Stop (1/4), 3-Stop (1/8), 4-Stop (1/16), 5-Stop (1/32), 6-Stop (1/64), 7-Stop (1/128), 8-Stop (1/256) ND Filters
Capture TypeVideo Only

Exposure Control

Shutter TypeElectronic Rolling Shutter
ISO Sensitivity800
3200
Advertised Dynamic Range16 Stops

Video Capture

Internal Recording ModesProRes 422 HQ/ProRes 4444
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
X-OCN LT/X-OCN ST/X-OCN XT
8640 x 5760 from 1 to 29.97 fps
8192 x 4320 from 1 to 59.94 fps
7680 x 4320 from 1 to 59.94 fps
5792 x 4854 from 1 to 47.95 fps
5792 x 3056 from 1 to 59.94/66/72/75/88/90 fps
5452 x 3056 from 1 to 59.94/66/72/75/88/90 fps
External Recording ModesNone
Sensor Crop ModesSuper35 / APS-C
Sensor Crop While Recording5K (5434 x 3056) in 16:9 When Recording in Raw
5K (5792 x 3056) in 17:9 When Recording in Raw
5K (5792 x 4854) in 6:5 When Recording in Anamorphic
7K (7680 x 4320) in 16:9
8K (8192 x 4320) in 17:9
Fast-/Slow-Motion SupportYes
Built-In Microphone TypeMono
Audio Recording4-Channel 24-Bit 48 kHz LPCM Audio
IP StreamingNone

Interface

Media/Memory Card SlotDual Slot: AXS
Single Slot: SD/SDHC
Video I/O4 x BNC (12G-SDI) Output
1 x BNC (HD-SDI) Output
1 x HDMI (Unspecified Signal) Output
Audio I/O1 x 1/8″ / 3.5 mm TRS Stereo Headphone Output
1 x XLR 5-Pin Mic/Line/AES/EBU Selectable Input
Power I/O1 x XLR 4-Pin (12 to 32VDC) Input
1 x Proprietary Input
1 x LEMO 2-Pin (12VDC) Output
1 x Fischer 3-Pin (12VDC) Output
Other I/O1 x 26-Pin Viewfinder Output
1 x BNC (Timecode) Input
1 x BNC (Genlock) Input
1 x BNC (Timecode) Output
1 x Hirose 8-Pin Control Input
1 x Lens 12-Pin Control
1 x RJ45 (Ethernet)
WirelessNone
Mobile App Compatible
No
*As of August, 2023: Check with manufacturer for the most up-to-date compatibility
Global Positioning (GPS, GLONASS, etc.)None

Monitor

Secondary DisplaySide: Status Display

Viewfinder

TypeOptional, Not Included

Focus

Focus TypeAuto and Manual Focus
Focus ModeAutomatic, Manual Focus

Environmental

Operating Temperature32 to 104°F / 0 to 40°C
Storage Temperature-4 to 140°F / -20 to 60°C

General

Power Consumption76 W
Tripod Mounting Thread2 x 1/4″-20 Female (Bottom)
4 x 3/8″-16 Female (Bottom)
Accessory Mounting Thread10 x 3/8″-16
8 x 1/4″-20
Netflix ApprovedYes
Dimensions (W x H x D)
9.84 x 6.22 x 5.98″ / 249.94 x 157.99 x 151.89 mm (Without Protrusions)
Weight9.5 lb / 4.3 kg

Packaging Info

Package Weight13.3 lb
Box Dimensions (LxWxH)14 x 12 x 9.5″
Weight13.5 lbs
Dimensions14 × 12 × 10 in
NCM

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